Gender Inequality in Bay Area Art Galleries, By the Numbers | KQED Arts | Sarah HotchkissĪt Mills College, Culture Industry Slyly Critiques Consumerism | KQED Arts | Roula SeikalyĬulture Industry, Exhibition Highlight by Rotunda Magazine | LINKĭivination of meaning in Nando Alvarez-Perez’s Portentology at Interface Gallery | AQNB What shapes our desires? Looking at the influence of manipulation in group Show Culture Industry | AQNB Sight Unseen: Saturday Selects | Jill Singer | May 2018 The Best Abstract Artists You Should Know About | Architectural DIgest, Clever | Sydney Wasserman | May 2018 Pictures At An Exhibition, Bri Williams, Lying is the most fun | Art Newsīri WIlliams, Lying is the most fun | Tzvetnik | August 2018Īrt Pick: Bri Williams, Lying is the most fun | Amyra Soriano | East Bay ExpressĪ Pointed Finger Draws the Line | Tzvetnik | June 2018Ī Pointed Finger Draws the Line | Pictures At An Exhibition | Art News | June 2018 Setting forth by signs | Art Viewer | October 2018īri WIlliams at Interface | Contemporary Art Daily | September 2018īri Williams at Interface | Contemporary Art Writing Daily | September 2018įall Arts Preview: Jenine Marsh and Claudia La Rocco | Sarah Hotchkiss | KQED Arts | August 2018īri Williams, Lying is the most fun | Art Viewer | September 2018 Jenine Marsh at Interface | Tzvetnik | November 2018 Jenine Marsh at Interface | Art Viewer | November 2018 Jenine Marsh’s Train Pressed Coins Define the Value of the Small Gestures | Emma Drew | KQED Arts | November 2018 Lauren McKeon, Let go or be dragged, Art News, Pictures at an Exhibition Lauren McKeon, Let go or be dragged | Art Viewer | May 2019 The Restoring Force of Gravity: Lauren McKeon’s “Let go or be dragged” } Emma Drew | Degree Critical | May 2019 Teresa Baker Exhibition Highlighted in KQED Fall Arts Guide | Sarah Hotchkiss | KQED Arts | August 2019ĭionne Lee Art Forum Critic’s Pick | Monica Westin | Art Forum | July 2019ĭionne Lee’s Watery Exhibition Fills Interface | Sarah Hotchkiss | KQED Arts | July 2019 Quay Quinn Wolf, Pink Velvet Dress with the Fur Collar } Tzvetnik | September 2019 Quay Quinn Wolf, Pink Velvet Dress with the Fur Collar | Art Viewer | September 2019
Review: Quay Quinn Wolf, Pink Velvet Dress with the Fur Collar | Zoe Samudzi | September 2019 Stained Glass Evokes Life and Loss in Interface Gallery’s ‘Tissue’ | Sarah Hotchkiss | KQED Arts | January 2020Ĭruel Intentions: Bri Williams| Harry Burke | Mousse Magazine No Part Left Out | Contemporary Art Daily | April 2020
Interface Marks its Final ‘Threshold’ with an Elegant Two-Person Show | Sarah Hotchkiss | KQED ArtsĬharkotte Walentin and Nunzio De Martino | Daily Lazy | June 2020Īt a Digital Distance, Débora Delmar’s Show Emphasizes Invisible Systems | Sarah Hotchkiss | KQED Arts | May 2020 Brooklyn Rail: Art Seen | Léonie Guyer and Rebeca Bollinger: Threshold | Hannah Maier-Katkin
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